WHO’S WATCHING HBO’S WATCHMEN? by Will Brooker and William Proctor
William Proctor: For many comic fans, Alan Moore and Dave Gibbons’ Watchmen is a sacred, seminal...
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Author: CSTonline
QUOTAS AND PROMINENCE. HOW IS TELEVISION GOING TO CHANGE IN EUROPE WITH THE NEW AVMSD? by Manuel José Damásio
Until no later than September 2020, all EU countries will have to apply at the level of local...
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BURSTING THE (FILTER) BUBBLE: PERSONALIZATION, POLITICS AND PUBLIC SERVICE MEDIA by JP Kelly
As I sit here writing this, today is Friday 13th December, 2019 – an ominous and somewhat fitting...
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THE L WORD AND ALIAS GRACE (PART 4) by Andreas Halskov
Honey, I’m Homo: The L Word Along with Jill Soloway’s popular dramedy, Transparent, The L Word has...
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CfP: AAS conference “Borders in/of Adaptation”. Oct 01-02, 2020 @ Université de Bourgogne, Dijon (FR). Deadline: Feb 01, 2020.
Borders in/of Adaptation Association of Adaptation Studies 1-2 October, 2020 Université de...
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CfP: edited collection “Auf Wiedersehen Pet: Past and Present”. Deadline: Sept 14, 2020.
We are inviting abstracts for a publication on the British television series Auf Wiedersehen Pet...
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CfP: conference “20/20 Vision Speculating in Literature and Film in Canada”. Aug 20-22, 2020 @ University of Saskatchewan (CAN). Deadline: Feb 10, 2020.
Speculative fiction, film, and television series are fast-growing genres, in part because they...
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PRODUCING PUBLIC SERVICE SERIAL DRAMA FOR CHILDREN AND YOUNG AUDIENCES: TOWARDS A NEW FUTURE FOR THE DANISH BROADCASTING CORPORATION’S TWEEN CHANNEL DR ULTRA
by Katrine Bouschinger Christensen and Eva Novrup Redvall The research project ‘Reaching Young...
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A REDEFINITION OF FAMILY: SIX FEET UNDER AND BIG LOVE (PART 3) by Andreas Halskov
As I have mentioned, the first original drama series on HBO was Oz – a transgressive and...
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CfP: edited collection “Reading Black Mirror”. Deadline: Jan 31, 2020.
The series Black Mirror, first aired on the UK Channel 4 in 2011, has achieved an international...
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CfP: conference “Discourses of Fictional (Digital) TV Series”. Nov 03-06, 2020 @ Universitat de València (ESP). Deadline: Jan 15, 2020.
DISCOURSES of FICTIONAL (DIGITAL) TV SERIES Universitat de València Forthcoming Conference 3-6...
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CfP: ECREA2020 “Communication and trust: building safe, sustainable and promising futures”. Oct 02-05, 2020 @ University of Minho (POR) Deadline: Jan 15, 2020.
ECREA’S 8th European Communication Conference The European Communication Research and Education...
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CfP: international workshop “Media Representations of Law and Justice: Middle Eastern Perspectives” March 12−13, 2020 in Leipzig (GER). Deadline: Jan 08, 2020.
Call for Papers International Workshop ‘Media Representations of Law and Justice: Middle Eastern...
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CfP: edited collection “Ryan Murphy: Genre, Gender and Authorship”. Deadline: April 01, 2020.
Editors: Dr. Melanie Robson (UNSW Sydney), Dr. Jessica Ford (University of Newcastle, Australia)...
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CfP: edited collection “Epistolary Forms in Film, Media and Visual Culture”. Deadline: Jan 10, 2020.
“We are living in a great epistolary age, even if no one much acknowledges it. Our phones, by...
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CfP: 13th The Comics and Popular Arts Conference. Sept 04-07, 2020 in Atlanta (Georgia, USA). Deadline: Jan 07, 2020.
The Comics and Popular Arts Conference (CPAC) invites submissions for our 13th Annual meeting in...
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CfP: Celebrity Studies Journal special issue on Hugh Grant. Deadline: Jan 18, 2020.
CALL FOR PAPERS Hugh Grant Special issue of Celebrity Studies Journal, edited by Alice Guilluy...
Read MoreIT’S NO PLACE LIKE HOME: PART 2 BY ANDREAS HALSKOV
Priests and paedophiles, families and fragmentation: Oz “It’s No Place Like Home.” Thus reads the tagline of the transgressive prison show Oz, which premiered on HBO in 1997. The title and the tagline of the show are naturally...
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CfP: edited collection “Dreams and Atrocity: Reflections on Modern and Contemporary Trauma in Art, Literature and Visual Culture”. Deadline: Dec 20, 2019.
‘Dreams and Atrocity: Reflections on Modern and Contemporary Trauma in Art, Literature and Visual...
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CfP: ICA 2020 post-conference “Digital Platform Regulation: Beyond Transparency and ‘Openness’”. May 26, 2020 @ Griffith University Gold Coast Campus (AUS). Deadline: Dec 20, 2019.
The last five years have seen a sea change in debates around regulation of digital platforms....
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CFP: symposium on “Media & the Middle East: Resistance and activism” March 6-7, 2020 @ University of East Anglia (UK). Deadline: Dec 2, 2019.
University of East Anglia invites proposals for An International Symposium on Media and the Middle...
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CfP: symposium “Media and Breakdown”. March 19, 2020 @ Lund University (SWE). Deadline: Dec 12, 2019.
Media and Breakdown: International Symposium at Lund University, Sweden Department of...
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CfP: special issue of Revenant on “Apocalyptic Waste”. Deadline: Jan 31, 2020.
Guest Editors: Matt Crofts and Layla Hendow, University of Hull. The post-apocalyptic wasteland...
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NO PLACE LIKE HOME: MARY HARRON, WOMEN DIRECTORS AND CHANGES IN THE TV LANDSCAPE (PART 1) by Andreas Halskov
In this series of blogs Andreas Halskov interrogates the work of Mary Harron. The first part...
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FROM EDUCATION TO WORK: MEDIA GRADUATES’ EXPERIENCE OF THE MEDIA INDUSTRIES by Anne O’Brien and Sarah Arnold
In Ireland in recent weeks, national broadcaster, RTÉ, has not only been a news producer but a...
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